"If I'd known!" groaned Winifred Cranston, otherwise Wendy, with a note of utter tragedy in her usually cheerful voice. "If I'd only known! D'you think I'd have come trotting back here with my baggage? Not a bit of it! Nothing in this wide world should have dragged me. I'd have turned up my hair-yes, it's quite long enough to turn up, Jess Paget, so you needn't look at it so scornfully; it's as nice as yours, and nicer! Well, I tell you I'd have turned up my hair, and run away and joined the 'Waacs' or the 'Wrens', or have driven a motor wagon or conducted a tramcar, or scrubbed floors at a hospital, or done anything-anything, I say!-rather than stay at the Abbey without Mrs. Gifford." "It's pretty stiff, certainly, for the Head to go whisking away like this," agreed Magsie Wingfield, sitting on the other shaft of the wheelbarrow. "And without any notice either! It leaves one gasping!" "Stiff? It's the limit! Why didn't she give us decent warning, instead of springing it on to us in this sudden fashion? I feel weak!" "There wasn't time," explained Sadie Sanderson, who, with Violet Gorton and Tattie Clegg, occupied, in a tight fit, the interior of the wheelbarrow. "It was all done at a day's notice. Geraldine's been telling me the whole history." "Well?" "Mr. Gifford got suddenly exempted, and was made Governor of some outlandish place with an unpronounceable name in Burma. He telegraphed to Mrs. Gifford to join him at Marseilles, and go out with him. So she went-that's the long and the short of it!" "Went and left her school behind her," echoed Vi.
"The schoolgirl is the main driver of Japan's Gross National Cool, and Brian Ashcraft's book is the best source for those hoping to understand why." -Chris Baker, WIRED Magazine
Japanese schoolgirls are a symbol of girl empowerment. Japanese Schoolgirl Confidential shows why they are so intensely cool. Don't miss this essential book on the Japanese youth culture craze that is driving today's pop culture worldwide.
"Whether your preferred schoolgirl is more the upstanding heroine Sailor Moon or the vengeful, weapon-wielding Gogo Yubari of Quentin Tarantino's Kill Bill, Vol. 1, you'll come away well versed." -Publishers Weekly
The lack of serious study on how dangerous schools as institutions can be is a little surprising given that the matter was put squarely on the research agenda in persuasive fashion by Waller back in 1932. The lack of response to the possibilities opened up means that a vibrant research agenda still awaits construction. This book will stimulate debate on the matter from the historical perspective. It consists of fifteen chapters drawing on historical case studies from the United States, Canada, England, Ireland, Scotland, and Australia written by international scholars in the field. These chapters are helpfully grouped into three sections. The first section focuses on certain dangers to which pupils were exposed in the past and on certain dangerous practices which they promoted. The second section examines dangers to which teachers were exposed in the past along with dangerous practices which they themselves promoted. In the final and third section, the chapters explore the dangers to which teachers and students were exposed in the past at the university level. Throughout the book, the emphases range from dangers emanating from the institutions themselves and the patterns of relationships that developed in them, to what occurred due to particular ideologies and practices connected with sport, sex, religion, and science. Schools as Dangerous Places delivers a historical perspective of schools in a manner that is most unusual. This unique study helps us examine education through a very different lens.
Marks & Spencer is an institution synonymous with quality, reliability, and customer care. But do we associate it with "fashion"? Drawing on previously unpublished company archives,Fashion for the People considers the company's contribution to British--and, since the 1970s, international--fashion. The author discusses how, from the 1920s, Marks & Spencer brought fashion to the high street, offering well-designed clothing at affordable prices. She examines the unique ways in which the company has democratized fashion, arguing that its pioneering role in the development of new fabrics, the employment of designers as consultants and its marketing and promotional strategies have changed the ways in which we understand and consume fashion. Marks & Spencer is not just a stalwart of the British high street. As this book shows, it has also brought fashion to the masses.
An excerpt from the beginning of the INTRODUCTION:
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